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Randomness for 3/25

King Khan

1) The inevitable D&D-themed yoga. So cool, Brewster.

2) True Detective as Hardy Boy’s style covers.

3) I have never been as deeply moved by anything as this lady is about curtains. True salesmanship. Video.

4) The High Five Camera. Video.

5) Which pet should I get? A Flowchart.

6) Visual charts showing how people around the world communicate. Very interesting and completely authentic, I’m sure.

7) The ten words in English with the most meanings. Another chart.

Mirrored from Twenty Palaces. You can comment here but not there.

King Khan

Posting an audiobook segment to YouTube is a great idea. Give it a listen.

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King Khan

Last weekend, a new low-budget movie called CHEAP THRILLS opened in LA and Austin, as well as on iTunes, Amazon and whatever. It’s about a guy who gets fired from a shitty job and finds himself desperate for money to avoid eviction… on the night he and his buddy meet a couple willing to pay them to do crazy stuff.

Here’s the trailer.

It looks intense.

It’s also a surprise hit, with great per-theater earnings, terrific VOD revenue, and a 94% fresh rating on Rotten Tomatoes. What makes this movie different from any number of terrific indie films? A great social media campaign. Check out this article on how they managed it. I have a non-academic interest in how this sort of thing is accomplished, of course, but it seems the short version is: great movie, enthusiastic friends with huge social media footprints, and a little craziness to attract attention.

Anyway, interesting stuff.

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King Khan

Like most people, I follow a link or check out an article and think “I should share that with folks!” Twitter’s good if you have nothing in particular to say about it (or just want to add something snarky), but some stuff deserves to be talked about. Well, I’ve gotten in the habit of leaving browser tabs open that I want to get to later, then leaving them sit for way too long. Blogging! Who has the time!

So, instead of just giving up and closing those tabs, I’m going to list them here with a little note about why I thought they were worth reading about:

To Stop Procrastinating, Look to Science of Mood Repair. Note: this article did not get me to write an extensive response to it.

Amazon-owned Audible lowers royalty rates on self-published audiobooks Is this the first sign of the long-expected rise in Amazon’s sales commissions?

Ian Rankin: ‘It took 14 years for my writing to pay’ Bestselling UK writer talks about how long it took him to find success. Ten books! Funny, after this Kickstarter is done, I’ll have ten books out, too…

From bestseller to bust: is this the end of an author’s life? A lament on the fact that nothing is guaranteed for writers, especially sales. No mention is made of the economic collapse, of course.

Making Compelling Arguments through the Power of Story Author (and professional marketer) Kameron Hurley offers great advice on writing blog posts people will want to share.

I thought this was interesting: So What Do You Do Brendan Deneen, Executive Editor of Macmillan Entertainment? Short version: he hires writers to write work-for-hire novels in company properties, which he then sells to Hollywood.

The Internet is Fucked (but we can fix it) An argument to declare the internet a public utility, create real competition, and fix the terrible internet-access situation in this country. I’m sold.

Is Genre Fiction Creating a Market for Lemons? Cheap ebooks as used cars.

Is the “Seattle Freeze” a Real Thing? Science says yes! For those who don’t know, the Seattle Freeze is a sort of chilly demeanor that makes it difficult for new arrivals to make friends.

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More on Veronica Mars

King Khan

I watched the movie again, mainly because I really like mysteries. Last night, the family finished watching season 2 (It’s slow going getting individual discs from Netflix on a one-at-a-time plan) and I have to say S2 was better than I remember it. Obviously, Lilly Kane was the heart and driving force behind season 1; Amanda Seyfried’s performance was so incredibly charismatic that the school bus explosion–with its numerous but mostly faceless victims, plus Meg–couldn’t touch. Every ep of S1 showed Lilly in some kind of flashback or dream sequence, if I remember correctly; how could sweet, honest Meg lying in a coma compete with that?

Still, watching both seasons all in a rush was very interesting. In season 1, knowing that some viewers would miss episodes, several of the clues and story beats were hit in several different episodes. How many times did they “reveal” that Weevil was having a secret relationship with Lilly, and that he loved her more than she loved him?

In season 2, they talked about the clues they’d discovered previously, but didn’t play them like story beats. What’s weird is that S2 almost completely drops the bus story line for several episodes in a row. The season gets caught up in a bunch of mini-mysteries that are either tangential to the bomb story (At no point did I believe Terence Cook was a serious suspect) or completely separate from it, like the murder of Felix Tooms. Then there’s the whole plot line that takes Wallace to Chicago, or the Casablancas family business troubles…

In fact, there’s a lot going on but much of it doesn’t seem to have much to do with the supposed Big Mystery of the Season. It feels fractured, leaving Veronica to act without the same wrenching need to Solve Everything she had in S1. The driving forces that should have been there–her guilt over surviving and over Meg’s condition, plus her name being written on Curly’s hand making her think the bomb was meant for her–just don’t feel immediate enough.

Another choice that felt weaker was the decision to lose the family lives of Duncan and Logan and replace those characters with Kendall Casablancas and the “Fighting Fitzpatricks”. Yeah, it’s a fine thing to widen the scope so we see more of Neptune, but Irish gangsters aren’t anywhere near as compelling as a fucked up family. Papa Casablancas is only in the first few episodes, Wallace’s mom goes up in a puff of smoke when she breaks up with Keith, and Aaron Echolls mostly turns up in his jail cell. Keith and Terrence Cook are pretty much the only parents on the show, and the Cooks are not nearly as fucked up as they should be for a long form mystery.

Still, the episodic mysteries were as strong as every, and Bell is still amazing as Veronica. I like Logan as a character but I’ve always had zero interest in their supposedly epic love. Seriously. If S1 didn’t exist, S2 would have been one of the best shows ever.

S3 is up next, and I remember it being more soap opera/relationship-focused than previous seasons. I was also Team Piz back in the day and I was even more firmly Team Piz after the movie. Still.

Anyway, the movie: I was sure the show would not work once the characters were adults. There was something incredibly effective about addressing class issues through teenage characters. They’re screwed up by the system but not really to blame for it, either. Plus, school forces everyone to be in everyone else’s spaces; you can’t avoid your enemies if you’re stuck going to school.

It worked anyway, which gives me hope for a sequel. Supposedly Warner has a dollar figure they want to see from the movie before they sign off on a sequel and no, I wouldn’t back another Kickstarter. Whatever annoyance I felt at the Flixster thing has been washed away by the movie itself. Still, Veronica with a cleaned-up Logan, back to work at her father’s PI office? I’d love to see a resurgence of PI stories.

Anyway, the show and the movie are buzzing away in my head, making work on my own stuff seem dreary and unpleasant. Must break through and get back to good things.

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I watched the Veronica Mars movie

King Khan

Okay. As much as I was annoyed by the decision to distribute the movie through Flixster, I actually sat down to watch it tonight.

It’s good. I mean, very good.

The portrayal of Neptune is the most winning part of the movie: Everything that was awful about the divide between the rich and the poor has gotten ten times worse since the series ended, the place is more corrupt than ever, and things look bleak. The characters are back, obviously, and they’re great but it’s the noir tone that makes this work. The only real let-down are a few cartoonishly nasty villains taking their three to five minutes to strut their bullshit for old times sake. That stuff doesn’t have the power it did when everyone was in high school.

But that’s easily overlooked. It’s a good movie, and I have to admit that it’s nice to see a real mystery played out in (just under) two hours. I’m not sure how well a Veronica Mars tv show would play out with a grown-up Veronica, but I’m glad I decided to back it.

If you haven’t seen the TV show, the movie would still make sense, but I wouldn’t recommend it. A great many characters breeze in and out, and it can be tough to keep track of them all. Better to watch the show first, if you haven’t seen it. The first season is great, the second season is not as great but still very good, and I haven’t rewatched the third season in a while so I’ll have to let you know. I’m making my wife and kid wait until they’ve seen the whole series before I play the movie; I recommend that for everyone.

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King Khan

Veronica Mars, as a tv show and as a set of characters within a set of plot tropes and conventions, is pretty fucking great. Seriously, I enjoyed the hell out of that show and the famous Kickstarter for it has given me a chance to share it with my son. There are so many things that I really liked that bores the shit out of him (any kind of fantasy, anything I write, Buffy, stuff with spaceship battles, whatever) that it’s a real pleasure to see him latch onto something cool.

So, when the opportunity to download the movie came (which is today, because today is the movie premiere) I took it.

I’m not what you call a movie-buyer. I own a few DVDs (maybe a dozen or so, most bought at yard sales) and I watch Netflix, but I’ve never bought and downloaded a full movie before. Still, I know it’s a thing people do. iTunes, right? Or Amazon? I’ve definitely seem Amazon purchases in my affiliate link reports.

But the Veronica Mars Kickstarter did not direct me to either of those options, nor did they stick a file on a server and send me a link to go fetch it. Instead, I had to sign up for Ultraviolet and Flixster.

Apparently, Ultraviolet is a service created by the studios that lets people download films without the worry of omg piracy, and why am I being forced to turn over my name and email to some third-party service just to get the thing I already paid for?

Because I am a commodity. I’m being turned over to these two companies so they can market to me, and they can add my account to their user numbers when they go hunting for new clients.

It’s disappointing. I’d rather watch the DVD, but that’s two months away, apparently. To get the movie now I had to become someone’s marketing opportunity, and I pledged a Kickstarter for the privilege.

The endless flood of updates into my inbox was bad enough, but this tears it. Not more big media corporate Kickstarters for me.

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King Khan

I’m supposed to be working right now but I’m not, and the reason is simple. Work is hard.

While The Great Way is getting an editorial working over, I’m putting together the game supplement for it. (For those who don’t know, I promised Kickstarter backers a Fate game supplement for the setting of those books.) Currently, it’s almost 10,000 words long, and not even half way done. Turns out that explaining your world-building takes time.

What’s more, writing game stuff is giving me major decision fatigue. With fiction, putting the sentences together is comparatively easy: There are characters who want things, places for them to pursue their desires, obstacles to overcome. That talk. They look at stuff. Maybe there’s a smell. It’s pretty straightforward.

In contrast, game material is all summarizing and making careful decisions on how stuff should work. What invokable aspects suit the capital city of this empire? How best to describe this sort of magic? What’s the best way to portray non-human intelligences without doing the xenophobe thing of giving them all a single personality? What if a player wants to play one of those non-humans?

Everything is as spare as possible, while trying to be as interesting as possible, while being as balanced as possible, while not contradicting anything I put in the trilogy, much of which I made up on the fly because shit sounded cool.

What the hell was I thinking?

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New Kickstarter Update Posted

King Khan

This morning I posted a new Kickstarter update. It includes a status update and some nice interior art. Check it out.

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Randomness for 3/6

King Khan

1) First sentences of famous novels, diagrammed.

2) Guy creates Kickstarter to interview loving couples to find out what makes relationships last. His results.

3) Pedestrian rollercoaster not as cool as it looks. Why couldn’t they just make the stairs twist so you could go up the loop?

4) Medieval Pet Names.

5) Ursula Vernon on becoming tired of reading fantasy. I’m having similar feelings.

6) Star Trek Into Darkness: What Came Next. lol

7) In 2005, a fifth-grader wrote a letter to her 20-year-old self.

Mirrored from Twenty Palaces. You can comment here but not there.