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Sometimes it helps to clarify your goals

When I’m writing, sometimes my goal is as simple as “Finish this day’s work so I can have finished this day’s work.” Sometimes it’s as complex as “I don’t know how to solve this problem.”

Then there are times like right now, when I have a list of odd tasks that accumulate around a writing career, and I don’t know what the hell I’m supposed to do, except cross off everything on this list. And then I have to wonder why I’m doing any of this.

It’s not money, despite what some “fans” might say. If I wanted money I wouldn’t have become a writer. It’s certainly not awards; that’s someone else’s concern. And if I wanted writing-style fame, I’d probably do readings or conventions or whatever. So, what do I want, then?

It was this article that reminded me: How Terry Brooks Saved Epic Fantasy.

Regarding the article itself, I don’t think Brooks gets a bad rap. He wrote accessible, commercial fantasy fiction, and was lucky enough to hit the NYTimes bestseller list when other fantasy writers couldn’t. Even now, 35+ years later, his books are gateway fantasy to bring middle-graders into the genre, and as comfort reads for older fans. And if you think I have something against comfort, you haven’t seen my Goodreads page or my waist line.

However, the article itself reminded me of What I Want: I want people to be still talking about my work, decades after it was published.

That’s not to say I want people to think I “saved [genre]”. I don’t really think about genre as a unified thing that could be/needs to be saved. Fantasy is certainly doing better now than it has in a long while.

But I want to have an impact. I want people to look back at my work and believe that it mattered in some way. I want to be remembered.

Which is not nearly the same as winning awards or hitting bestseller lists. There are plenty of award-winning novels that nobody reads, and the thrift store shelves are packed with forgotten bestsellers from “#1 New York Times” authors that few remember.

I mean, awards would be nice, and money would make things easier for my wife and kid. I’m not saying those things don’t matter at all. But the number one thing is to be remembered because things are different because of what I’ve done. I’m not even sure it’s possible, but it’s what I want.

Mirrored from Harry Connolly. You can comment here but not there.



( 6 comments — Leave a comment )
Mar. 19th, 2015 01:44 pm (UTC)
I get that. It's why a letter from a fan who says that she has checked out a book of mine from the library twice a year for years, until they retired the copy and then she lucked out finding it at a used book store and now the pages are falling apart, she loves it so much, makes me feel really good. I didn't make a dime off that person--but I made a small difference in her life.
Mar. 19th, 2015 03:34 pm (UTC)
That's excellent.
Mar. 19th, 2015 08:21 pm (UTC)
every now and then I go back and check the best seller lists, the book awards and whatnot (and Oprahs lists) to see what the best books were ... and seeing not a whole lot. Dickens was considered pulp because he wrote for the money in magazine serials.. he is still around, but the "literature" or "novels" of the day .. not so much.

Mar. 19th, 2015 09:08 pm (UTC)
Yeah . . . at a con a year or two back, a friend was complaining really bitterly in private about how the Hugos and WFC are all popularity contests, which leaves us social dweebs out even if we write really really well, blah blah, and I asked X, "How many Hugo or WFC winners can you name, say, before the past five years?"

X thought, said, "Um, Ender's Game?" Then, "Okay, point taken."

Edited at 2015-03-19 09:08 pm (UTC)
Mar. 20th, 2015 07:27 am (UTC)
if your friend had voted in the Hugos and the WFC that person can bitch, but if they didnt ...
Mar. 20th, 2015 01:06 pm (UTC)
That's a good question, and I don't know. (It was a LiveJournal acquaintance friend.) I assume they were like me, voting on the rare occasions they can attend Worldcon, but I don't know that.
( 6 comments — Leave a comment )